Visit Alice’s Adventures in Wonderland on Saturday, April 25, between 10 a.m. and 5 p.m. and luxuriate in free activities for the young and young in your mind. You can take part in writing activities with teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program or engage with Lewis Carroll–inspired math activities with local math literacy organization Math Happens. University of Texas at Austin museum theater students will lead visitors through the galleries. Additional activities include docent-led exhibition tours and story times within the theater. Family days are generously supported by a grant from the Austin Community Foundation, with in-kind support supplied by Terra Toys.
Below is a schedule that is detailed
Teaching artists from Austin Public Library Friends Foundation’s Badgerdog Creative Writing Program will lead writing activities at the top the hour from 10 a.m. through 4 p.m.
Join a docent-led tour regarding the exhibition at noon, 2 p.m., and 4 p.m.
Enjoy story time into the theater at 1:15 p.m. and 3:15 p.m.
Follow University of Texas at Austin museum theater students through the galleries between 10 a.m. and noon.
Complete Lewis Carroll–inspired math activities with Math Happens while you tour the galleries.
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Before and After: “Alice’s Adventures in Wonderland” Movie Jecktors
The exhibition Alice’s Adventures in Wonderland features two 1933 toy paper film strips called Movie Jecktors. The movie strips portray two of the most memorable components of the Alice story: “Down the Rabbit Hole” and “The Mad Hatter.” Images and text are printed in three colors on 35? strips of translucent paper. The strips are rolled onto wooden dowels and stored in colorfully printed little boxes. The Movie Jecktors would have been combined with a toy film projector to create a animation that is simple.
The Ransom Center’s Movie Jecktors required conservation before they are often safely displayed in the galleries. Both the wooden dowel therefore the storage box, which will be manufactured from wood pulp cardboard, had a high acid content. An environment that is acidic bad for paper. The Movie Jecktors essay help had become brittle and discolored, and there were tears that are many losses into the paper. The movie strips have been repaired in the past with pressure-sensitive tapes (the common tape we all use to wrap gifts). These tapes should never be right for repairing paper because they deteriorate and often darken over time and are also difficult to remove once in place that we hope to preserve.
Once the Ransom Center’s paper conservator, I removed the tapes using a heated tool and reduced the residual adhesive using a crepe eraser. I mended the tears and filled the losses using Japanese paper and wheat starch paste. When it comes to fills, the Japanese paper was pre-toned with acrylic paint to permit these additions to blend utilizing the original paper. Regions of ink loss are not recreated.
People to the exhibition is able to see the areas of the filmstrips which were damaged, but those areas are now stabilized much less distracting. This type of treatment reflects the practice of conservation to preserve, not “restore,” the object’s original appearance. Libraries, archives, and museums today often pick the conservation approach as it allows researchers along with other visitors a better comprehension of the object’s history, including damages that occurred, which might talk to the materials used in the object’s creation.
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Please click on thumbnails to enlarge images.
Easter hours weekend
The Ransom Center would be open throughout Easter weekend, including on Friday, April 3, from 10 a.m. to 5 p.m, as well as on Saturday and Sunday from noon to 5 p.m.
Free docent-led gallery tours occur daily at noon and Saturdays and Sundays at 2 p.m. No reservations are required.
Admission is free. Your donation will support the Ransom Center’s exhibitions and programs that are public. Parking information and a map are available online.
Please additionally be aware that the Ransom Center’s Reading and Viewing Room is open from 9 a.m. to 5 p.m. on Saturday, April 4.
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John Crowley, whose archive resides at the Ransom Center, is an American author of fantasy, science fiction, and mainstream fiction. He published his novel that is first Deep, in 1975, along with his 14th amount of fiction, Lord Byron’s Novel: The Evening Land, in 2005. He has got taught creative writing at Yale University since 1993. A special 25 th -anniversary edition of his novel Little, Big will likely be published this spring. Below, he shares how Lewis Carroll’s Alice’s that is classic Adventures Wonderland influenced his own work.
A vital ( sense that is best) reader of might work once wrote a whole essay about allusions to and quotes from Lewis Carroll’s Alice’s Adventures in Wonderland books in a novel of mine called Little, Big—a very Alice kind of title to begin with. Some of the quotes and allusions, while certainly there, were unconscious; the turns of phrase and paradoxes and names in those books are so ingrained they simply form part of my vocabulary in me that. I first heard them read aloud: my older sister read them to me once I was about eight years of age. I don’t remember my reaction to Alice in Wonderland—except for absorbing it wholly—because for several books read or heard at certain moments in childhood, there’s absolutely no first reading: such books go into the mind and soul as if that they had always been there. I do remember my reaction to Through the Looking Glass: i came across it unsettlingly weird, dark, dreamlike (it is in fact the greatest dream-book ever written). The shop where the shopkeeper becomes a sheep, then dissolves into a pond with Alice rowing in addition to sheep when you look at the stern knitting (!)—it wasn’t scary, however it was eerie I was then becoming a connoisseur because it so exactly replicated the movements of places and things and people in my own dreams, of which. How did this written book find out about such things?
Another connection that is profound have with Alice I only discovered—in delight—some years back in (of all of the places) the Wall Street Journal. This neurological condition makes objects (including one’s own body parts) seem smaller, larger, closer or more distant than they really are in an article about odd cognitive and sensory disorders, it described “Alice in Wonderland syndrome:” “Named after Lewis Carroll’s famous novel. It’s more common in childhood, often at the onset of sleep, that can disappear by adulthood…”
We have attempted to describe this syndrome to people for decades, and not once met anyone who recognized it from my descriptions. If you ask me it is more odd a feeling than this, and more ambivalent: personally i think (or felt, as a kid, almost never any more) as though my hands and feet are billions of miles distant from my head and heart, but at the same time I am enormously, infinitely large, and so those parts are in the same spatial relation to myself as ever, or even monstrously closer. It absolutely was awesome within the strict sense, not scary or horrid, uncomfortable but in addition intriguing. I wonder if Carroll (Dodgson, rather) had this syndrome. I’ve thought of including it to my resume: “John Crowley came to be in the appropriately town that is liminal of Isle, Maine, so that as a child suffered from or delighted in Alice in Wonderland syndrome.”